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Sunday, November 25, 2012
MOVIE REVIEW
Hitchcock
Making Horror From Scarred, Paranoid Genius
Helen Mirren as Alma Reville and Anthony Hopkins as Alfred Hitchcock in Sacha
Gervasi's "Hitchcock".
Fox Searchlight Pictures
by
Omar P.L. Moore/PopcornReel.com
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Sunday, November 25,
2012
"Good e-ven-ing", intones the Master of Suspense Alfred Hitchcock (Anthony
Hopkins) early on in Sacha Gervasi's drama "Hitchcock", a forced film given more
to camp and theatricality than deep exploration of Mr. Hitchcock's fears,
desires and obsessions. Well, check that. One obsession
which "Hitchcock" does reasonably well to show is the famous British director's
missive to complete his iconic 1960 film "Psycho", a tortuous adventure that
affected his health and caused consternation with Paramount Pictures.
Mr. Hitchcock is shown as meticulous, paranoid and haunted by the true story of
Ed Gein, the Wisconsin serial killer. Beginning with a predictable scene
involving Mr. Gein in 1944, "Hitchcock" becomes a showcase of in-joke for the
legend's enthusiasts and parody for everyone else. The heart of the film
doubles as Mr. Gein's reality horror giving birth to Mr. Hitchcock's torment and
machinations for the film version of Robert Bloch's book Psycho, or
vice versa. Scenes of Mr. Gein and Mr. Hitchcock as kindred spirits in
isolation and pain feel more like desperate sledgehammers flailing at an
audience that is probably more sophisticated about the great filmmaker than Mr.
Gervasi's film gives them credit for. In all respects "Hitchcock" plays as
absurdist comedy, and because it does any attempt to seriously unearth some of
the complexity of Mr. Hitchcock for the audience arrives too little, too late.
If the heart of "Hitchcock" is Mr. Hopkins' Hannibal Lecter-like enunciations
and the title character's idiosyncrasies, fixations on blonde leading ladies
(like Janet Leigh, played here uncannily by Scarlett Johansson) and addiction to
booze, the soul of Mr. Gervasi's romp is Alma Reville, Mr. Hitchcock's
partner-in-crime, played with gusto and wicked bravado by Helen Mirren.
One notable scene featuring Ms. Mirren leaves the audience and the title
character speechless. Ms. Mirren is the lone bright, riveting spark of
interest in a film that while heartily enjoyable and humorous never quite rises
to the occasion the way it should. The envy that Mr. Hitchcock has toward
his wife, herself a very capable filmmaker and editor feeds into some of the
psychosexual strains and appetites percolating in a number of his films.
There are affectionate nods to some of Mr. Hitchcock's other works, but his
fascination with completing "Psycho", as well as the event atmosphere and
showmanship that Mr. Hitchcock invested in the film, is its most enjoyable peak.
Still, it's too bad that with a strong cast and intriguing subject matter, that
Mr. Gervasi and screenwriter John J. McLaughlin couldn't have done more to
elevate this average movie. (Mr. McLaughlin based his script on Stephen Rebello's book Alfred Hitchcock And The
Making Of "Psycho".)
Even within the surface treatment of what could have been a fine film (listen to
the interview with Patricia Hitchcock O'Connell, the director's daughter, on the
"Psycho" DVD for great insights into the making of that film), if nothing else
all "Hitchcock" will likely make you want to do (as it did me) was watch
"Psycho" once again to appreciate its genius.
Also with: Danny Huston, Toni Collette, Michael Wincott, James D'Arcy, Jessica
Biel, Michael Stuhlbarg, Richard Portnow, Ralph Macchio.
"Hitchcock" is rated PG-13 by the Motion
Picture Association Of America for some violent images, sexual content and
thematic material. The film's running time is one hour and 38 minutes.
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