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Sunday, January 26, 2014
AWARDS SEASON 2014
In The 12th Round, A Split Decision On Oscar Night
A scene from Steve McQueen's "12 Years A Slave"; Sandra Bullock in Alfonso Cuarón's "Gravity".
Fox Searchlight; Warners
by
Omar P.L. Moore/PopcornReel.com
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Sunday, January 26,
2014
The irresistible force and the immovable object.
This is now the official Tale Of The Tape for the 86th Annual Academy
Awards in the Best Picture Oscar prize fight. In the red corner:
"12 Years A Slave".
In the blue: "Gravity".
It is fitting that these two films, both released last October in the U.S., are
the main contenders for Hollywood's night of nights on Sunday, March 2.
"12 Years A Slave" and "Gravity" were the two most critically acclaimed films of
2013, in that order. And while almost universal critical consensus is
rarely consonant with how the 6,000-plus members of The Academy vote, this year
there seems to be great accord between voters and critics. This month's
Oscar nominations saw "Gravity" gain ten nods, while "12 Years A Slave" received
nine.
"American Hustle", which had gathered steam at the
Golden Globes and
Screen Actors Guild
Awards, suddenly slunk just below "12 Years A Slave" and "Gravity"
when the
Producers Guild Of America stunned many awards season observers and
prognosticators last week with its award of a tie between "Hustle"'s two chief
Oscar competitors for the Guild's top prize. The PGA Awards are
widely viewed as the second most important awards season show and the strongest
indicator of the Best Picture Oscar winner.
People in the media, the moviegoing public and critics have been talking about
Steve McQueen's "12
Years A Slave" ever since it debuted at the Toronto International Film Festival
last September. They still are. Based on
Solomon Northup's memoir as a free man
kidnapped and sold into slavery, "12 Years A Slave" is deeply resonant. As
an experience "12 Years A Slave" towers in its magnitude and power. It is
the kind of film The Academy typically views as weighty and grand. Mr.
McQueen's unblinking film undoubtedly has gravitas. A Best Picture Oscar
win would serve as a moderate corrective and rejoinder to past Oscar winners
like "Gone With The Wind", which showcased "happy", oblivious enslaved blacks.
"Gravity" has caught the attention of the planet in astounding ways. It's a
stunning, magnificently beautiful film, finely crafted and visualized by Mr. Cuarón, with virtually seamless visual effects. Taking place thousands of
miles above Earth out in space "Gravity" indulges us in another world, another
realm and another dimension. The atmosphere, tension and exhilaration the
film brings to audiences is undeniable. "Gravity" is the boldest film
about space since Stanley Kubrick's "2001: A Space Odyssey". Mr. Cuarón's
movie nods vigorously to "2001", and adds a steadfast woman, played by Sandra
Bullock to its landscape. The Academy has always admired visual effects
and "Gravity", like
"Avatar" before it, among others, will reap the
benefits on Oscar night. ("Gravity" will be released
on DVD in the U.S. and Canada about a week
before the Oscars.)
Alfonso Cuarón's historic win at the
Director's Guild Of America Awards last night
for Best Feature Directing gives "Gravity" increased momentum, coming off its
PGA tie for top honors. "Gravity", like "12 Years A Slave", is a singular
achievement, and its wins on Oscar night will point directly to that.
"Gravity" could still win best picture, and the DGA win bolsters it. Mr.
Cuarón's DGA triumph assures him a Best Director Oscar.
Yet the PGA tie last week was highly significant. The tie signifies that
"12 Years A Slave" will be heard from on Oscar night. It won best drama at
the Golden Globes. "12 Years A Slave" has a litany of superb acting
performances, three of which were recognized in the Academy's nominations this
month. An important film about American history, "12 Years A Slave" is an
actor's film, which bodes especially well for its chances for Best Picture.
Actors in the Academy will be more likely to vote for it. "Gravity" is a
technical wonder, which has two performances. Its creative and visual
wizardry will assure it success in cinematography and varying effects
categories.
Anne Thompson
of Thompson On Hollywood noted yesterday that "12 Years A Slave" has
wider support among Academy members than "Gravity" does. Last November she
tweeted to me that the Oscars would come down to the art-film masterpiece of "12
Years A Slave" and the visual effects brilliance of "Gravity". She pointed
out that on Oscar Night in 2014 the "Avatar"-"Hurt Locker" Oscar race of 2010
would be replicated. Like "Avatar", the box office for "Gravity" has
already gone through the roof, prior to Oscar night. Like "The Hurt
Locker", the box office for "12 Years A Slave" has been steady yet modest in
comparison. A Best Picture Oscar win will give Mr. McQueen's film an
instant boost.
Kathryn Bigelow made history on Oscar night in 2010. And no matter what,
history will be made again four years later. Both Steve McQueen (for Best
Picture) and Alfonso Cuarón (for Best Director) will take home Oscars of their
own. There will be a split decision on Oscar night. And when you
think about how competitive the 2013 year was, it makes the most sense.
The 86th Annual Academy Awards will be televised live in over 220 countries
on Sunday, March 2. In the U.S. The Oscars begin at 5:30pm Pacific/8:30pm
Eastern time.
COPYRIGHT 2014. POPCORNREEL.COM. ALL RIGHTS RESERVED.
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