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Monday, January 11, 2010

MOVIE REVIEW
The Imaginarium Of Doctor Parnassus

Adventures In The Imagination Of Projection And Fantasy


Jude Law as Imaginarium Tony #2 in Terry Gilliam's new fantasy adventure drama "The Imaginarium Of Doctor Parnassus".  The film opened last Friday. 
Sony Pictures Classics

By Omar P.L. Moore/PopcornReel.com
Monday, January 11, 2010

Readers who grew up decades ago in England may remember Noel Edmonds' Multicoloured Swap Shop, a 1970s BBC TV series typically aired on Saturday mornings.  It was fun, entertaining and imaginative.  Terry Gilliam, the Monty Python alum who has gone on to direct such great films as "Fear and Loathing in Las Vegas" and "Brazil", brings us a one-of-a-kind vision in the finally-released drama "The Imaginarium Of Doctor Parnassus", which takes our imaginations to places we never knew existed. 

Mr. Gilliam's new film, which expanded its North American presence over the weekend, is a multi-colored menagerie of fascination and fancy.  More importantly "Doctor Parnassus" features Heath Ledger's latest film performance, interrupted by his tragic death two Januarys ago.

Mr. Gilliam calls upon the talents of Johnny Depp, Colin Farrell and Jude Law to complete Mr. Ledger's role as Tony, and their contributions work in haunting and ingenious ways.  Tony is a millionaire captivated by the world of wonderment and adventure in the Imaginarium, a fantasy land where dreams or nightmares come true.  This fairy-tale-land is an invention of Doctor Parnassus (Christopher Plummer), who has to serve a devil-in-disguise (Tom Waits, brilliant here) in order to be freed of his debts.  The good doctor is steeped in the morose but he's got company: an enchanting young woman named Vanessa (Lily Cole), a dwarf, Percy, who is a faithful companion (Verne Troyer), Anton (Andrew Garfield) who has come to appreciate this different world, and Tony, who's trying to escape scurrilous rumors about him. 

"The Imaginarium Of Doctor Parnassus" weaves the stories of these vastly different individuals trapped in a present-day web of desire, pleasure and danger.  Enlivened by visual effects and spectacular sequences, the film is meticulously crafted.  Mr. Gilliam, who co-wrote the script with  can be best described as a thinking man's fairy-tale griot.  The conceptions and imagery on screen are often too wondrous to describe, and any attempt to do so is absolutely futile.  Few directors if any, have Mr. Gilliam beat in both the imagination department and the ability to simultaneously convey a credible and absorbing story.  (Take note, Mr. Cameron.) 

Thought-provoking if not provocative, Mr. Gilliam keeps this film rolling where it could instead have grown overwhelming.  There's a moment where Mr. Troyer's character appears in blackface but as in "Bamboozled" its use is purely satirical, in one scene involving a pitying woman.  Undoubtedly, some will find Mr. Troyer's appearance offensive.

Always immersive, "The Imaginarium Of Doctor Parnassus" takes us on a wild, uneven carnival ride.  When it's over, we are exhausted, spellbound and mesmerized.  For some, Mr. Gilliam's films are an acquired taste, and "Doctor Parnassus" will almost certainly warrant a second viewing as there's lots to take from it -- but sadly that's a refreshing observation in a modern-day movieland where fast-food celluloid servings are too often the order of the day.

"The Imaginarium Of Doctor Parnassus" is rated PG-13 by the Motion Picture Association Of America for violent images, some sensuality, language and smoking.  The film's running time is two hours and two minutes.       

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Read more movie reviews and stories from Omar here.
   

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