THE POPCORN REEL FILM REVIEW/"Miss Pettigrew Lives For A Day"

A Day In The Life of one "Michelle Clayton" in 1930's London: This Cleaner Fixes Emotional Messes

By Omar P.L. Moore/March 7, 2008


Grime 'N' Glamour: Frances MacDormand (left) as the film's title character, and Amy Adams as Delysia Lafosse in Bharat Nalluri's "Miss Pettigrew Lives For A Day", which opened today in the U.S. and Canada.  (Photo: Kerry Brown/Focus Features)

Bharat Nalluri directs the film adaptation of Winifred Watson's novel in "Miss Pettigrew Lives For A Day", a sweet comedy-romance drama that stays light and fluffy thanks to a vivacious Amy Adams, whose body language and choreography of performance for her character Delysia Lafosse is perfect for the pace and tone of Mr. Nalluri's film, which opened in the U.S. and Canada today and is distributed by Focus Features.  Frances MacDormand's Miss Pettigrew provides the droll, awkwardly contained and weathered opposite, and the Oscar-winning actresses' performance is wonderfully fragile, yet essential to the film in order to give her character the twinkle of starlight that the film's title suggests that she will enjoy.

Both Ms. Adams ("Enchanted", "Charlie Wilson's War", "Junebug") and Ms. MacDormand are the best aspects of "Miss Pettigrew" and when onscreen together possess a chemistry and uniformity as an odd couple that is revelatory.  In a strange way, Miss Pettigrew, a hardened and underappreciated governess in 1930's London, is a Pretty Woman in reverse, while the pretty woman that Ms. Adams' Delysia represents -- a starlet who aims to become a big bright shining star on the London stage -- is full of pretty ugly inside -- perhaps an all-too common reference in film to the underbelly of fame and the price it sometimes brings to a superstar in the making.  The juxtaposition of such opposite characters on the big screen isn't new, but in Mr. Nalluri's film the contrast is fresh, funny and invigorating.  Miss Pettigrew's great strength is to repair the emotional wreckage and minutiae of the lives of the upper-crust figures that she chaperones.  Pettigrew is an ornamental figure for much of the film but as -- at least for the most part -- an honest heart and soul, she knows how to improvise with the best of the lonely and self-delusional wannabees in this swanky, posh London of the roaring '20's and '30's.

(A side observation: there are glimpses in "Miss Pettigrew" where Ms. Adams, a very busy actor these days, looks like Nicole Kidman and the resemblance is uncanny.)

Simon Beaufoy, who wrote the Oscar-winning screenplay for "The Full Monty", writes sharp witty dialogue once again here, with the help of co-writer David Magee, both of whom frame London as a cesspool of contradictions, adulterous dalliances and class politics amidst the imminent involvement of Britain in a looming World War Two. 

Besides Delysia Lafosse, other colorful characters dot the film's busy landscape, such as her three boyfriends, millionaire tycoon and theatre director and playwright Phil Goldman (played with a consistent hilarity by Tom Payne), Nick (Mark Strong), Gerry (Mark Ryan), and Edythe (an excellent Shirley Henderson).  Ciaran Hinds ("There Will Be Blood", "Miami Vice") plays a fashion designer who initially seems to have wandered in from a slower-paced film, but nevertheless gradually eases his way into the proceedings.  Mr. Hinds, always in top form, adds a suaveness and warmth to his character, who stands out in a room full of duplicitous fakes.  Lee Pace is also good as Michael, the man who yearns for Delysia, a woman too busy to know what direction her romantic life will take.

"Miss Pettigrew" has good performances, a great music score (Paul Englishby), great production design (Sarah Greenwood), tidy art direction (Nick Gottschalk and Niall Moroney) and fine costume design (Michael O'Connor).  This film is well worth your time, its entertainment economical at a scant 92 minutes, and just right.

"Miss Pettigrew Lives For A Day" is rated PG-13 by the Motion Picture Association of America for some partial nudity and innuendo.  The film's duration is one hour and 32 minutes.

Copyright The Popcorn Reel.  PopcornReel.com.  2008.  All Rights Reserved.

 


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