THE POPCORN REEL FILM REVIEW/"Stepbrothers"
Laurel And Hardy, Meet Dale And Brennan
By Omar P.L. Moore/July 25, 2008

Poolside is the cool side: John C. Reilly as Dale (in the Oliver Hardy role) and
Will Ferrell as Brennan (in the Stan Laurel role) in Adam McKay's
"Stepbrothers", which opened today in the U.S. and Canada. (Photo: Sony
Pictures)
"You're just a child growing older,"
Ashley Judd's character Charlene tells Val Kilmer's Chris in the film "Heat".
Mr. Kilmer's character doesn't quite agree with this assessment, but there's
every guarantee that John C. Reilly and Will Ferrell would drink to it
wholeheartedly if Ms. Judd played the same character telling them the same thing
in "Stepbrothers", Adam McKay's hilarious new comedy which opened today across
the U.S. and Canada. Mr. Ferrell and Mr. Reilly both have an ability to
excel in more serious roles but as a duo in comedy they prove to be a modern-day
Laurel and Hardy, especially in this new film.
Mr. Ferrell plays Brennan, an almost-40-year-old man who is still living with
his mother Nancy (played by Mary Steenburgen), and Mr. Reilly plays Dale,
roughly the same age, who lives with his father Robert (Richard Jenkins, who is
terrific here.) Dale and Brennan, like the rest of us, are kids at heart,
but they really are kids in their approach to life, including job
interviews and neighborhood bullies. If Tom Hanks regressed somewhat
melancholically at times as a child in a big man's body in the film "Big"
(1988), then Mr. Ferrell and Mr. Reilly gleefully celebrate the joy and juvenile
nature of being teenage boys in adult bodies. And they do it well, which
is what makes "Stepbrothers", which otherwise as a film has little else going
for it, a success. Comedy drives this engine, and as Judd Apatow-produced
or directed comedies do, the requisite gross-out joke or gag (whether involving
dog feces or testicle exposure) is thrown in.
After Nancy and Robert rendez-vous and get married, the two overgrown kids lock
horns bitterly. When the ice between them thaws further hell breaks loose.
Furthermore, Brennan has a smarmy, arrogant, cold-hearted younger brother Derek
(Adam Scott) whose wife Alice (Kathryn Hahn) is so horny for Dale that she can't
stand it. Alice says out loud some wild things that perhaps some women are
only thinking -- or that more than a few women say in the comfort of the ladies'
bathrooms. Meanwhile, Brennan has a desire for Denise, a psychologist
(Andrea Savage) and he never fails to hide his feelings for her.
Somehow throughout all the mayhem, Mr. Jenkins and Mr. Steenburgen's lovebird
characters remain happily entwined amidst sleepwalking chaos and late 1970's
nostalgia.
The bottom line is that Mr. Ferrell is the left hand to Mr. Reilly's right, and
Mr. Reilly is the left hand to Mr. Ferrell's right (or something like that) as
comedians and together they are more effective than apart (at least in recent
films like "Walk Hard: The Dewey Cox Story" and "Semi-Pro".) They work
well together on the big screen, and had not for their effortless chemistry and
ability to push each other's buttons, there would be little to rave about.
In Mr. McKay's "Talladega Nights" both shone brightly, even with Sasha Baron
Cohen's presence threatening to disrupt the comedy duo. And Mr. McKay's
"Anchorman" also showed Mr. Ferrell in overdrive -- without Mr. Reilly however
-- but in the company of numerous comedy actors like Vince Vaughn (who also
excels in dramatic roles at times) to surround him and further round out a good
film about a San Diego television news anchor.
The one and only test for "Stepbrothers" is
this: Is laugh out-loud laughter what you want? The answer on your exam
is: You get it here, and in shovels. "Stepbrothers" is silly, but its
comedy is very smart. Neither Mr. Ferrell or Mr. Reilly are
self-conscious, in fact, they throw caution to the wind in their comedy, and
here as Brennan and Dale. The ability to go so far without trying hard to
do so, while maintaining a merriment and credibility that holds the audience's
interest, is what sets Mr. Ferrell (who is the Laurel-type here) and Mr. Reilly
(the Hardy-esque character) apart from most other American comedic talents on
the big screen, although Steve Carell has his moments, for sure. (By
contrast, Canada's Mike Myers has lost a little something, recently-minted
American Jim Carrey doesn't hold up as much these days, and old-school American
Eddie Murphy just isn't the old-school Eddie Murphy anymore.)
Does the story in "Stepbrothers" make much sense? Not especially. Is
it better than, say, "The Love Guru"? You bet. ("The Love Guru"
worked too hard, overloading its audience with tiresome cliches and dimwitted
repetitive overtures, trying to augment itself by being self-conscious, but it
was all too much for one film to handle.)
Where "Stepbrothers" is concerned -- Stan Laurel and Oliver Hardy, two of the
unsung greats of American comedy -- would be proud of Mr. Ferrell and Mr.
Reilly, and would laugh heartily at this crass, colorful romp of free-spirited
adulterated comedy gone wild.
"Stepbrothers" is rated R by the Motion Picture Association of America for
crude and sexual content, and pervasive language. Yes, testicles are on
display here and so is dog feces. Get ready to cringe. The film's
duration is one hour and 36 minutes.
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