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Tuesday, December 9, 2014
END OF YEAR
THE TEN BEST FILMS OF 2014
Tessa Thompson (left) and Marques
Richardson (center) in Justin Simien's "Dear White People".
Roadside Attractions
by
Omar P.L. Moore/PopcornReel.com
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Tuesday,
December 9,
2014
*-contains a correction - asterisk denotes two films exchanged
places from their initial spots
Simply put, my ten best film list of 2014 reflects what I call "theater of the
mind filmmaking" -- the kind that indulges your "third eye", your imagination,
trusts your sophistication and invites new angles of thinking, stimulation and
provocation, while edifying and entertaining.
It was, as usual, a great year for independent filmmaking, a poor year for
Hollywood film quality, and an even worse year for women as actresses and
directors -- although some women made significant marks behind the camera, in
the U.S. (Ava DuVernay, Laura Poitras), in Iran (Ana Lily Amirpour) and
Australia (Jennifer Kent).
Honorable mentions: "Locke",
"The Babadook", "A Girl Walks Home Alone At Night", "Inherent Vice",
"Chef",
"Godzilla",
"Life Itself",
"Let The Fire Burn", "The
Equalizer", "She's Beautiful When She's Angry",
"Kill The Messenger",
"The Imitation Game"
Warner Brothers
10: THE LEGO MOVIE
Enough joy and gaiety to delight and uplift. Constant laughs, adventure
and splendor, with a very good script -- unusual for many animated films today.
Phil Lord and Christopher Miller had me singing, for two hours at least, that
"everything is awesome. And this gay, merry film, based on Lego
characters, was.
9:
CALVARY
Fiercely cynical, John Michael McDonagh's drama throws end-of-the-world turmoil
into a small village in Ireland, in which a priest is told he's on very thin
ice. Brendan Gleeson gives the year's best lead male performance as the
priest. Blunt, powerful and played out in one scene like a Last Supper,
"Calvary" is intense,
poetic and, despite some formulaic flourishes, a suffocating experience.
8:
DEAR WHITE PEOPLE
Justin Simien's effective, penetrating satire on race, racism and culture on a
predominantly white college campus in America is deeply thought-provoking,
honest, funny and painful. The dialogue in
"Dear White People" is the dialogue that occurs
in the minds of many blacks and whites but is often unsaid. At least
sometimes. This important and valuable film is required viewing, and even
more required discussion, afterwards. Tessa Thompson is excellent as a
student at the center of Winchester University's racial turmoil.
7:
CITIZENFOUR
Directed like a spy thriller, "CitizenFour" is a breathtaking, riveting
documentary about the NSA surveillance of millions of Americans in the USA, a
revelation disclosed last year by Edward Snowden. Laura Poitras, who
constructs this film brilliantly, went to great lengths to get it made and to
keep confidential her communications while doing so. This film never
stopped being fascinating.
*6:
BIRDMAN
One of the craziest films you will see. Rife with manic energy, "Birdman"
is the stuff of theater. Many of its theatrical moments are movie-like.
Many of its movie moments are theatrical. This satirical tale of a faded
action hero (Michael Keaton) who tries a second life as a stage thespian is
rarely boring. Filled with introspection, cynicism and excellent acting,
"Birdman" is superbly written and very funny. Edward Norton is
outstanding. Alejandro Gonzalez Inarritu departs from his usual involved
and lugubrious work to produce a real live-wire classic.
*5:
SELMA
Ava DuVernay's superb drama about the events of March 7, 1965 in Selma, Alabama
resonates and uplifts. This resounding, important, must-see film has
scope, depth, intimacy and nuance. Ms. DuVernay turns in the year's best
directing effort. "Selma" boasts an excellent cast, fine cinematography by
Bradford Young and one of the two best lead male performances of the year (David
Oyelowo as Martin Luther King Jr.) The film opens on December 25 in New
York and Los Angeles. Everywhere in the U.S. January 9.
Paramount Pictures
4:
BOYHOOD
This is the year's great filmmaking achievement. Richard Linklater filmed
"Boyhood" over a
12-year period with Patricia Arquette, Ethan Hawke, Ellar Coltrane and Mr.
Linklater's daughter, Lorelei. Organic, profound and absorbing, this epic
effort is highlighted by Ms. Arquette's excellence but elevated even further by
superb editing from Sandra Adair. "Boyhood" isn't just a coming-of-age,
it's a coming-of-life.
3:
UNDER THE SKIN
A24
A phenomenal and unique film by Jonathan "Sexy Beast" Glazer. This
experimental sci-fi mystery drama focuses on a woman who journeys through
England and Scotland. We don't know who she is or what she's looking for.
We watch. We discover. Scarlett Johansson, in the year's best lead
performance by an actress, dominates this scary, suspenseful and unsettling
film. Mica Levi's score pulses and defines the film's uncomfortable
atmosphere.
2:
IDA
Music Box Films
Pavel Pawlikowski's film from Poland is indelible. "Ida" is
stunning, and glorious in black and white. Photographed exquisitely by
Lukasz Zal and Ryszard Lenczewski, "Ida" chronicles an 18-year old who finds out
more about her history. "Ida" is the year's best foreign language film and
it is simply beautiful. I loved every frame, every moment and every
feeling of "Ida". "Ida" is a true treasure that will endure for ages.
Agata Kulesza (above, in the title role) gives the year's best supporting
performance by an actress.
1:
THE GRAND BUDAPEST HOTEL
Fox Searchlight
There's everything to love about Wes Anderson's
"The Grand Budapest Hotel".
I laughed loudly. I marinated in each shot, each intricately constructed
image, and the peerless production design of Adam Stockhausen. He deserves
many awards. Watching "The Grand Budapest Hotel" was like
watching life in a candy store. Pure animated confection. I couldn't
get enough. And though the film, Mr. Anderson's best, is on Blu-Ray in the
U.S. beginning today, December 9, you owe it to yourself to see it on the big
screen. This quaint, affectionate and glorious effort stars Ralph
Fiennes, brilliantly nimble and charismatic, and the year's best ensemble cast.
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