MOVIE REVIEW
The Box
"If I Had A Million Dollars . . . "

James Mardsen as Arthur Lewis and Cameron Diaz as Norma
Lewis in Richard Kelly's film "The Box", which opened today.
Warner Brothers
By
Omar P.L. Moore/PopcornReel.com
Friday, November 6, 2009
The answer to the above isn’t so straightforward, but if you want to know the
answer to the question, ‘Is
“The Box” a good
movie?’ there’s no shorter answer than “no”.
Richard Kelly,
who has directed doomsday-type films before (“Donnie
Darko”, and the vastly underrated
“Southland Tales”) sticks to formula with his latest, based on the short
story Button, Button by Richard Matheson.
Cameron Diaz
ups her acting IQ a little as Norma Lewis, a teacher and mother struggling with
the dilemma of taking a million dollars in 1976. Would you take that amount of
cash from a mysterious man with half his face missing? Norma does however, and
tax free, after pressing a red button on a box that the man, Arlington Steward (Frank
Langella), leaves in her home. Husband Arthur (James
Marsden), a NASA man, can’t comprehend Norma’s recounting of the
nattily-attired stranger, but before long the red button press spells mayday for
the Lewises, or for someone else, who will die if the button is pressed.
Mr. Kelly’s film has just enough creepiness around its edges to keep you awake,
including a scene or two of decent suspense and a jolt, but is inadequate as a
compelling or interesting thriller. For all its hocus-pocus “The Box” is an
empty trick. The film spins wildly out of control as it slowly but surely takes
a science-fiction turn, becoming increasingly bogged down by special effects and
illogic.
Stylistically, Steven Poster’s cinematography is either drained of color
(exteriors) or lit with a misty brightness (interiors) and the Lewis household
is a sparse, almost empty place, even if the spousal and familial relationships
aren’t. Win Butler, Regine Cassagne and Owen Pallett supply the film’s original
music, which perks up the atmosphere by keeping it icy cold.
Mr. Marsden does his best to play terrified, and while Miss Diaz isn’t bad, some
of her dialogue and performance feels overwrought. There are parts of “The Box”
that echo “The Shining” in visual style or (in theme) “The Game” (James
Rebhorn, who starred opposite
Michael Douglas
in that 1997 film, appears here.) When all is said and done however, “The Box”
lacks the imagination, narrative cohesion and credibility to thrive as an
effective film. Perhaps that’s due to “The Box” being Mr. Kelly’s first film
based on someone else’s work. Mr. Kelly wrote the script. As you watch “The Box”
you get the feeling that a link is missing, but even more so that the legendary
talents of Mr. Langella, Oscar nominee for last year’s
“Frost/Nixon”, are sadly wasted.
With: Sam Oz Stone and Holmes Osbourne.
“The Box” is rated PG-13 by the Motion Picture Association of America for
thematic elements, some violence and disturbing images. The film’s running time
is one hour and 56 minutes.
Read more movie reviews and stories from Omar
here.
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