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Sunday, September 15, 2013
MOVIE REVIEW The Family
From Brooklyn To Normandy, Still Married To The Mob
Michelle Pfeiffer as Maggie and Robert De Niro as Giovanni in Luc Besson's
comedy-drama "The Family". Relativity Media
by
Omar P.L. Moore/PopcornReel.com
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Sunday,
September 15,
2013
Luc Besson directs and co-writes "The Family", a playful comic drama with a "War
Of The Roses" blunt edge. Based on Tonino Benacquista's novel Malavita
("Badfellas"), "The Family" is a funny take-off on the mob and mob movies.
Robert De Niro is Giovanni "Gio" Manzoni, a Brooklyn mobster turned writer, in
exile with his family under FBI witness protection in Normandy, France, where
much of "The Family" was filmed on location. From behind bars Gio's
Brooklyn mob boss Don Luchesi (Stan Carp) plots to kill Gio for testifying
against him.
Every 90 days or so the Manzonis have to relocate, as the past catches up with
them in quick order. "What's wrong with this family?", Gio asks at one
point. The answer is, a lot. Instead of quietly
hiding out in France, one of the most pacifist nations you can think of, they
export their crime roots. The Manzonis wreak havoc in Normandy, making a
name for themselves (and for Americans as a stereotype) with violence and other
assorted psychotic and anti-social behaviors. Even the Manzonis' dog,
which spends much of his on-camera time in "The Family" giving baleful
expressions, turns violent at a moment's notice.
As its proud matriarch Maggie (Michelle Pfeiffer) upholds the Manzoni name by
blowing up a supermarket with little provocation, while fragile daughter Belle
(Dianna Agron) teaches some would-be rapists a tennis lesson. (Belle will
later go from amorous to suicidal in about 20 minutes flat. Sigh.)
Son Warren (John D'Leo) exacts wicked revenge on a bully. Gio himself
takes extreme measures real and imagined. On rare off-days from such
behavior he's preoccupied with the word "fuck" and preventing the water in his
faucets from staying brown. FBI agent Stan (Tommy Lee Jones) has the
thankless task of watching the Manzonis' backs and reigning Gio in.
He probably doesn't get paid enough, and Mr. Jones looks weary and indignant,
which suits Stan to a "T".
Mr. Besson by contrast enjoys poking fun in this wacky tale of a family
knee-deep in dead bodies. It's no accident "The Family" references one of
its executive producer Martin Scorsese's most acclaimed films. Nor is it
coincidence many in the cast have been in "The Sopranos" or similar fare.
In Ms. Pfeiffer's case, it's "Scarface" and "Married To The Mob". Mr. De
Niro has his share of mob or gangster film efforts, the obvious ones ("Mean
Streets", "Godfather Part II", "The Untouchables", "Goodfellas") and "Analyze This", a parody on
the mob movie genre like "The Family".
The logic of Mr. Besson's film though, falls under cursory scrutiny: why would a
family that kills with such unabashed abandon even need FBI protection? If
14-year-old Warren Manzoni can pack the kind of ballistic punch that would
appall parents in Newtown, Connecticut and elsewhere in America, couldn't he and
his clan fend for themselves against a vengeful crime kingpin and his acolytes?
"The Family" distracts mostly from those questions, staying entertaining for
longer than it should, thanks to its reveling in darkly comic demeanor and
possessing an oddly affectionate core.
Mr. De Niro plays a neurotic well, much less a murderous one, making Gio, or his
FBI alias "Fred" a funny, endearing fellow who wants to write his side of the
Brooklyn mob story to clear his troubled conscience. In doing so Gio
doesn't want to make himself look too good, he insists. (Of course he and
the film do just that.) "The Family" is an ode to Mr. De Niro's previous
crime film roles and is appealing enough to be a surprisingly decent film.
The cast overall does well, and Ms. Pfeiffer's comedy chops emerge. Her
Maggie has a running joke about cream in her recipes, which everyone, including
her FBI protectors, adore. Given the off-kilter atmosphere of "The Family"
you half expect a body part to appear in one of her edible creations.
"The Family", which also has the tenor of movies like "Serial Mom" and
"Parents", largely eschews on camera violence despite its R rating.
Regardless of the film's discretion with onscreen violence, the Manzonis are
utterly homesick for it. Alas, the tranquil trappings of France have only
brought out this whack-a-doodle family's baser tendencies. You can take
the family out of crime but you can't take crime out of this family. In
"The Family" the family that slays together stays together. Capisce?
Also with: Jimmy Palumbo, Domenick Lombardozzi, Vincent Pastore, Jon Freda,
Michael J. Panichelli Jr.
"The Family" is rated R by the Motion Picture Association Of America
for violence, language and brief sexuality.
The film's running time is one hour and 50 minutes.
COPYRIGHT 2013. POPCORNREEL.COM. ALL RIGHTS RESERVED.
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