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Thursday, February 9, 2012
MOVIE REVIEW
The Vow
Forget-Me-Nots, To Help Her To Remember Love
Rachel McAdams as Paige and Channing Tatum as Leo in "The Vow", directed by
Michael Sucsy.
Sony Pictures/Screen Gems
by
Omar P.L. Moore/PopcornReel.com
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Thursday,
February 9,
2012
Inspired by true events, Michael Sucsy's romantic drama "The Vow" awkwardly
pieces together the journey of Paige (Rachel McAdams), a Chicagoan suffering
from memory loss after a traumatic brain injury received in a car crash.
Emerging from a coma she has no recollection of her marriage to Leo (Channing
Tatum), who spends the majority of the film trying to show her the love she had
for him prior to the car accident.
"The Vow" issues its nuptials as binding resolution -- the primal headquarters
of memory and belonging -- the one thing that is supposedly ironclad in marital
relations. Yet both
literally and figuratively vows and the film itself prove shaky. "Three"
marriages, if you will, are tested. One by Paige's ex-fiancé (Scott Speedman), another
by Paige's meddlesome father (Sam Neill) and a "third" by Paige's aforementioned
lack of memory. The screenplay though, is the film's biggest troublemaker
overall, testing the realms of credulity and reasonable dialogue. As
written by Abby Kohn, Mark Silverstein and Jason Katims, Paige is too broadly
drawn as a character, made to look like a cardboard fool bumbling in the
caricatured and stereotypical way of a movie amnesiac character rather than a
person genuinely searching for the essence of her memory and recall.
Paige knows who her parents are but spends too much time rhetorically remarking
about her inability to remember. Redundant and over-baked, the screenplay
places poor Paige in the dark, forgetting that she already wears a blindfold.
Leo is frustrated by his wife's lack of recollection and waxes on about it.
Worse, he narrates the film, explaining that the elements of moments and memory
just have to wait to coalesce. Leo's narration is more patient than he is,
and "The Vow" wills its events to happen. Pixie dust lies at the
film's edges, dust just waiting to be sprinkled, but the closest thing unleashed is either the smelly stuff that hits the fan circulating in the
film's writing department or the confetti that flutters during the wedding of
Paige's sister Gwen (Jessica McNamee).
Mr. Sucsy captures two of Chicago's most impressive features: its skyline and
great architecture, but the people who inhabit the story he directs look
mechanical if not downright silly. Leo is played smarter by Mr. Tatum than he's shown
to be -- taking a disoriented Paige home to a cadre of friends and well-wishers
and realizing it was a mistake -- after spending so much time preaching gradual
steps to slowly bring Paige back to a "normalized" life. Leo also
withholds a key secret that would help solve all of Paige's memory problems in
about five minutes, and its big reveal much later makes Leo look as foolish
as the script. The poor dialogue makes the characters and film awkward. When Paige's mother Rita (Jessica Lange) explains a
decision she's made, many of her words ring unconvincingly and with forced
emotion.
"The Vow" is coated with some tenderness and sentimentality but while the good
actors on display here (Mr. Tatum and Ms. McAdams in particular) try hard to
elevate the lukewarm, clunky and badly-scripted material they don't quite bring
the film to mediocre. Ms. McAdams ("Morning
Glory",
"Midnight In Paris") turns some episodes into
laughs but I'm not sure the script intended them as such. Perhaps Ms.
McAdams knew
the screenplay needed more oomph, and decided instead to turn a serious
film into a stress-relieving exercise. She and Mr. Tatum
attempt to shift the distracted script from irrelevant and trifling matters,
particularly in the film's flimsy final act. They should be applauded for
making half-cooked day-old omelets out of eggy stink bombs.
With: Wendy Crewson, Lucas Bryant, Tatiana Maslany, Joey Klein, Joe Cobden,
Jeananne Goossen.
"The Vow" is rated PG-13 by the Motion Picture Association Of America for
an accident scene, sexual content, partial nudity and some language. The
film's running time is one hour and 44 minutes.
COPYRIGHT 2012. POPCORNREEL.COM. ALL RIGHTS RESERVED.
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